.

LIGHT
RANDOMNESS
COLLAPSE

BETWEEN LIGHT & SHADOW..

ART&INST
ALLATION

 FORMWALL 

THIS ROOM INSTALLATION OF THIN SHEETS OF PORCELAIN HUNG FROM THE CEILING, ARE TRANSLUCENT AND OPEN IN SOME PLACES, WHILE OTHER PARTS SEEM DENSE AND CREATE A MORE CONDENSED PLAY OF SHADOWS AND A CLEARER DEFINITION OF INSIDE AND OUTSIDE SPACE. AS WE MOVE AROUND, THE WORK WILL UNFOLD SPATIALLY AND VISUALLY STEP BY STEP. IT DOES NOT REVEAL ITSELF AT ONE GAZE; WE EXPERIENCE IT PIECE BY PIECE AS WE MOVE FORWARD, AND AS WE MOVE THE WORK CHANGES RADICALLY AND COMPLEMENTARILY AT THE SAME TIME FROM WHAT WE HAVE ALREADY EXPERIENCED. CONSEQUENTLY, YOU CAN ONLY EXPERIENCE THE ENTIRE WORK BY MOVING THROUGH IT AND LETTING IT FORM AGAIN IN YOUR MIND LITTLE BY LITTLE.

ONE HUNDRED AND ELEVEN THIN RED THREADS, SYSTEMATICALLY ORGANIZED AND SUSPENDED, CONSTITUTE A STRUCTURAL INSTALLATION - THE THIN RED LINE, WHICH EXPLORES SPACE AND BORDERS. THE ARTWORK CHANGES ITS CHARACTER IN ACCORDANCE WITH LIGHT AND ANGLES, AND THE OTHERWISE TIGHTLY LACED AND STABLE THREADS APPEAR TO QUIVER DYNAMICALLY IN THE CHANGING LIGHT.
TEXT: KAREN LISA SALAMON, ETHNOGRAPHER

 RED LINE 

CRAFTMANSHIP PLAYING WITH LIGHT, COLLAPSE & RANDOMNESS..

UNICA
OBJECTS

I WORK CREATIVELY WITH THE FIRING AS I USE THE PROCESS AS PART OF THE ACTUAL SHAPING OF THE CLAY. DURING THE FIRING, WHEN THE PORCELAIN REACHES VERY HIGH TEMPERATURES (APP. 1300 DEGREES), IT BECOMES SOFT AND TENDS TO GO OUT OF SHAPE OR COLLAPSE. TRADITIONALLY, THIS HAS BEEN SOMETHING CERAMISTS HAVE ANXIOUSLY TRIED TO AVOID SINCE THEY WISHED THEIR CERAMICS TO KEEP THE SHAPE IT HAD BEFORE FIRING. HOWEVER, WHEN SCULPTING THE CLAY, I DELIBERATELY WORK WITH THE CHANGES THAT HAPPEN IN THE MATERIAL DURING FIRING. BY DOING SO, I GET THE OPPORTUNITY TO FIX THE MOVEMENTS OF SHAPES AT ANY GIVEN TIME, AND IN THIS WAY I AIM AT A DYNAMIC EXPRESSION IN MY WORKS.

 CYLINDER 



FUNCTION BY ISAKSEN..

FUNCTION
&CRAFT

A VERY FINE AND ELEGANT TEA SET, WHICH DISTRACTS ATTENTION AWAY FROM EVERYTHING ELSE ON THE TABLE. THE PORCELAIN HAS A BEAUTIFUL AND PURE WHITE COLOUR, WHICH COMPLEMENTS THE DESIGN PERFECTLY. THE SET EXUDES DISTINCTIVENESS AND IT IS EXCEPTIONAL IN MANY WAYS. THE TEA SET IS HAND THROWN AND WORKS BOTH WITH INTERNAL AND EXTERNAL EXPRESSION, WHICH SUGGESTS THAT EACH CUP IS DANCING AND IT COMES ACROSS QUITE UNIQUE.

 FUNCTION 

THE ARTIST

AS A CERAMIC ARTIST I WORK PRIMARILY WITH STRUCTURAL EXPLORATION THROUGH OBJECTS AND SPATIAL INSTALLATIONS.
MY MAIN MEDIUM IS PORCELAIN. AS A CERAMIC ARTIST I’M INTERESTED IN THE UNIQUE PROPERTIES OF PORCELAIN; PARTICULARLY IN ITS STRENGTH AND FRAGILITY. TO EMPHASISE THESE PROPERTIES I FIRE THE PORCELAIN CLAY AT VERY HIGH TEMPERATURES THUS ACHIEVING A VERY TACTILE AND SUBTLE MATERIALITY THAT RESULTS IN A SORT OF TRANSPARENCY.

TERMS OF CONDITION

DELIVERY AND RETURNS. TO ORDER ANY PRODUCTS, PLEASE WRITE JAKOB.STIG.ISAKSEN@FORMSTOF.DK. YOU WILL THEN RECEIVE A CONFIRMATION MAIL, WHERE THE TIME OF DELIVERY WILL BE INDICATED. IF THE PRODUCT IS NOT IN STOCK, PLEASE HAVE PATIENCE AND EXPECT SOME DELAYING TIME SINCE EVERYTHING IS UNIQUE AND HANDMADE.

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CONTACT
&DISPLAY

CONTACT.

JAKOB STIG ISAKSEN
HOEJTOFTEVEJ 1
8800 VIBORG, DENMARK
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PLEASE DON'T HESITATE
TO WRITE ME A MAIL AT HELLO@JAKOBSTIGISAKSEN.DK
OR CONTACT ME AT +45 3023 4842


FOR CV AND MORE INFORMATION PLEASE
VISIT MY LINKEDIN PROFILE

AT DISPLAY.

RIMBAUD
THE ARTISTS SOCIETY RIMBAUD IS A NEW NORDIC SOCIETY OF CONTEMPORARY VISUAL ARTISTS WORKING IN AS DIVERSIFIED MEDIA AS VIDEO, CERAMICS, PAINTING, PHOTOGRAPHY, DRAWING, FILM, SCULPTURE, MUSIC, ETC.
THE SOCIETY WAS FOUNDED IN 2009.
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